Forward – to the Second Five-Year Plan of the Construction of Socialism! Long Live May Day!

Poster Number: PP 1042
Category: Revolution
Poster Notes:

[On the red banners] To New Victories under the Banner of Lenin, USSR – Fatherland of the World Proletariat, The best shock workers [go] into the Party,
Five-Year Plan in four years; [On margin of poster] Send in your comments on this poster to Moscow, IZOGIZ, Mass Agitation Sector.

Media Size: 47.5x32.5
Poster Type: Lithograph and Offset
Publishing Date: 1932
Editorial Information: Editor Korobchenko; Text Editor Gusev
Technical Information on Poster: Izogiz No. 3672; I. 32 No. 674; Submitted for printing March 4, 1932; Approved for Printing March 29, 1932; Order No. 71; Standard format 73 x 104-2 sheets; Price 1 ruble 30 kopeks
Glavlit Directory Number: 16771
Catalog Notes: PP 1042 Revolution b
Artist: Dolgorukov, Nikolai Andreevich — Долгоруков, Николай Андреевич

In 1928, Nikolai Andreevich Dolgorukov moved from his native Ekaterinburg to Moscow in order to attend VKhUTEIN (Higher State Artistic and Technical Institute). After that organization dissolved in 1930, Dolgorukov continued his studies at the Moscow Polygraphic Institute under the tutelage of artists Lev Bruni and Dimitri Moor. Dolgorukov's training was in illustrated political satire as well as in poster design and each of these areas became the main focus of his long career. After graduation, he collaborated with fellow poster artist Viktor Deni. The duo went on to design a host of iconic Soviet posters during the 1930s and 1940s. Dolgorukov also created illustrations for a number of prominent newspapers: Krasnaia Zvezda [Red Star] (1933), Pravda [Truth], (1934), Izvestia [News] (1949), and for numerous journals including Proektor [Projector] (1932-1935), Sovetskii Soldat [Soviet Soldier] (1941) and Iskra [Spark] (1942). He produced a variety of popular posters, such as Under the Banner of Lenin toward the Formation of a Classless Society (1932) and Five-Year Plan (1933; co-authored with Deni). During World War II, he remained active as a graphic designer and a cartoonist producing a myriad of posters including, We'll Sweep Away the Fascist Barbarians (1941) and The Enemy Will Not Have Mercy! He contributed two poster designs to the Soviet telegraph TASS Studio between the autumn of 1942 and the autumn of 1943.

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Printer: Mosoblpoligraf (Moscow Regional Printers), Moscow —

Mosoblpoligraf was a regional, state-owned printing trust created in the mid-1920s during the period when the Soviet Union was consolidating its best and most productive printers. The 5th Lithography Workshop, 12th Lithography Workshop, 16th Lithography Workshop and the 26th Lithography Workshop were all Moscow-based printers under the Mosoblpoligraf banner.

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Publisher: Ogiz-IzoGiz, Moscow-Leningrad — Огиз-Изогиз, Москва-Ленинград

Ogiz (Ob"edinenie gosudarstvennykh knizhno-zhurnal'nykh izdatel'stv) is the Association of the State Book and Magazine Publishers. It was established in 1930 by the RSFSR Sovnarkom to centralize all publishing activities in the Soviet Union. Aside from centralization, Ogiz helped eliminate duplication of printed products. Posters, art magazines and artistic books were placed under the Izogiz (Izobrazitel'noe iskusstvo) fine arts section of Ogiz. In 1963, Izogiz was re-named Sovetskii khudozhnik, "Soviet Artist".

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