Results of the First Five-Year Plan. [Partial translation]

Poster Number: PP 653
Category: Economy
Poster Notes: Poster is framed; The Pravda newspaper is dated January 10, 1933 and it reads: "Results of the First Five-Year Plan. Comrade Stalin’s Report, International Significance of The Five-Year Plan, Main Task of The Five-Year Plan and the Way to Fulfillment. In Today’s Issue: results of the First Five-Year Plan – Comrade Stalin’s Report to the Joint Meeting of the TsK..." [Lower quote in red text below newspaper] "Results of the five-year plan have shown the capitalistic economy is unsustainable and insolvent, it already is outliving its time and must give up its place to another, higher, soviet, socialistic system of economy". -J. Stalin.
Media Size: 35x24
Poster Type: Lithograph
Publishing Date: 1933
Technical Information on Poster: Izogiz No. 5596; I. 32 No. 994; Submitted for printing January 25, 1933; Approved for printing February 4, 1933; Standard format 82 x 110; Volume 1/2 [sheet of paper]
Glavlit Directory Number: B-28945
Catalog Notes: PP 653 Economy (framed)
Artist: Deni (Denisov), Viktor Nikolaevich — Дени (Денисов), Виктор Николаевич

Although known for his characterizations and posters that he signed with the pseudonym 'Deni'; Viktor Nikolayevich Denisov never received formal artistic education. Around 1906, Deni began exhibiting at the annual exhibitions of the Society of Independents in Saint Petersburg, as well as at the Salon of Humorists. In 1910, he took private lessons in painting and drawing from the artist-portraitist Nikolai P. Ulianov and that same year, he became active in the field of political caricature, contributing satirical drawings to such journals as Budil'nik [Alarm Clock], Satiricon, Solntse Rossii [Russian Sun], Pulemet [Machine Gun], Knut [Whip], while contributing to the newspaper Golos Moskvy [Voice of Moscow].   After the October Revolution of 1917, Deni worked for Litizdat (State Publishing House). During the early post-Revolutionary period, he lived in Kazan' and produced his first posters there while continuing to work on political caricatures for a myriad of Soviet journals. 

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Artist: Dolgorukov, Nikolai Andreevich — Долгоруков, Николай Андреевич

In 1928, Nikolai Andreevich Dolgorukov moved from his native Ekaterinburg to Moscow to attend VKhUTEIN (Higher State Artistic and Technical Institute). After that organization dissolved in 1930, Dolgorukov continued his studies at the Moscow Polygraphic Institute under the tutelage of artists Lev Bruni and Dimitri Moor. Dolgorukov's training was in illustrated political satire as well as in poster design, and each area became the main focus of his long career. After graduation, he collaborated with fellow poster artist Viktor Deni. The duo went on to design a host of iconic Soviet posters from the 1930s to the 1940s. Dolgorukov also created illustrations for prominent newspapers such as: Krasnaia Zvezda [Red Star] (1933), Pravda [Truth], (1934), Izvestia [News] (1949), and for journals including Proektor [Projector] (1932-1935), Sovetskii Soldat [Soviet Soldier] (1941) and Iskra [Spark] (1942). Dolgorukov produced a variety of well-known posters, such as Under the Banner of Lenin toward the Formation of a Classless Society (1932) and Five-Year Plan (co-authored with Deni in 1933). During World War II, Dolgorukov remained active as a graphic designer and a cartoonist producing a myriad of war-time posters including, We'll Sweep Away the Fascist Barbarians (1941) and The Enemy Will Not Have Mercy! He contributed two poster designs to the Soviet telegraph TASS Studio between the autumn of 1942 and the autumn of 1943.

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Printer: Printer not indicated —
Publisher: Ogiz-IzoGiz, Moscow-Leningrad — Огиз-Изогиз, Москва-Ленинград

Ogiz was the Association of the State Book and Magazine Publishers. Its main offices were located in Moscow and in Leningrad. The Sovnarkom of the Russian Socialist Federative Soviet Republic established Ogiz in 1930 to centralize publishing activities under a state monopoly in order to eliminate duplication of printed material, streamline and control publishing production and output, and to create a base for marketing books, training and technical manuals. In 1931, the Central Committee of the USSR ordered certain publications be separated from Ogiz. This principally affected technical manuals and propaganda material issued by the publisher. For example, posters, art magazines and artistic books were placed under Izogiz (Izobrazitel'noe iskusstvo), the fine arts section of Ogiz. In 1949, Ogiz was reorganized and merged into Glavpoligrafizdat, the Main Administration for Matters of the Polygraphic Industry, Publishing and Book Selling. In 1953, Glavpoligrafizdat was reorganized and renamed, Glavizdat. Thereafter, the publishing, printing and bookselling monopoly in the USSR was separated into three distinct divisions. In 1963, Izogiz was merged with the publishing house, "Soviet Artist" (Sovetskii khudozhnik).

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