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Koretskii, Viktor Borisovich (Koretsky, Victor)

Корецкий, Виктор Борисович

Born 1909 Kiev, Russian Empire; died 1998, Moscow, Russia

Of the photomontage poster artists of the 20th century, Viktor Borisovich Koretskii stands out as one of the most iconic. His prolific career in the Soviet Union began in the 1930s and ended in the 1980s, and his unique artistic style influenced generations of graphic artists.

From 1921 to 1929, Viktor Koretskii attended the Moscow Secondary School of Professional Art, and by 1931 he was working as a professional graphic designer. Koretskii perfected his own technique of photomontage by using a combination of photographs and pencil drawings topped with gouache -- a mixture of pigments and water blended with a binding agent. The artist’s professional break-through occurred while he was working for the Soviet publishing houses of Iskusstvo and Ogiz-Izogiz. In the 1930s, Koretskii also worked as an artistic director and decorator for Nikolai Okhlopkov's Realistic Theatre and for Yurii Zavadsky's theatre-studio.

During World War II, Koretskii designed propaganda posters for the war effort. While working for TASS (Telegraph Agency of the Soviet Union) Windows Studios he designed two posters for them in June 1942. Consequently, he designed the first Soviet postage stamp dedicated to the Second World War. In 1946 and in 1949; Viktor Koretskii was awarded the Stalin Prize for his art work. He was a founding member of the artist collective AgitPlakat (formed in 1956), and from 1939 to 1987, he was a member of the editorial board of Reklamfilm motion picture advertising.

In 1951, Koretskii’s work was chastised by Vladimir Kemenov, the Soviet art critic and deputy director of the Institute of Art History. Kemenov was a vehement opponent of photomontage and he attacked Koretskii for his “formalist deviation” as well as criticizing him for specific design choices used in his posters. In her 2012 book about Koretskii’s photomontage work, historian Erika Wolf commented that Koretskii was a scapegoat because he was, “…a Jewish artist who had earlier dabbled in fragmented photomontage and worked with photography.” The criticism he received led the artist to completely change his design style.

In 1964, Viktor Koretskii was bestowed the title of Honored Worker of Art of the Russian Soviet Federative Socialist Republic and he was awarded a gold medal by the Soviet Peace Committee the same year.


Wolf, E. (2012). Koretsky: The Soviet Photo Poster, 1930-1984. New York: The New Press. (pp. 7-11)
Zegers, P., et al. (2011). Windows on the war: Soviet TASS posters at home and abroad, 1941-1945. Chicago: Art Institute of Chicago. (bio on the artist)
Petrova, Y. et al. (2005). Russian and Soviet Collages, 1920s-1990. St. Petersburg: Palace Edition.
Sintovskaia, G. (1984). Viktor Koretskii. Moscow: Planeta. (pp. 5-23)
Koretskii, V. (1958). Zamteki plakatista. Moscow: Sovetskii khudozhnik.
Kemenov, V. (1956). Stat'i ob iskusstve, "O politicheskom placate." Moscow: Iskusstvo. (pp. 42-73)
Ol'shanskaia, N.I. (1951). Mastera sovetskogo iskusstva viktor borisovich koretskii Moscow: Sovetskii khudozhnik. (pp. 7-27)
Baburina, N. I. (1988). The Soviet Political Poster, 1917-1980. New York: Penguin. (bio, artist)